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Game Review: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Examination at 90s Rave Culture

Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged if slight debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

Game releases in British and Irish cinemas from November 17.

About the author

Timothy Houston

A UK-based cultural analyst and writer with over a decade of experience covering societal trends and lifestyle innovations across Europe.

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